Rosalind Fox was born on 2 April 1930 in Highland Park, Illinois. She graduated from Highland Park High School in 1947. She attended Goucher College in Baltimore, Maryland graduating with a Bachelor of Arts in Political Science in 1951.
She married Joel W. (Jay) Solomon (1921–1984), with whom she had two children. The marriage ended in divorce.
Rosalind Solomon sailed to Belgium and France with The Experiment in International Living.
She studied intermittently with Lisette Model from 1971 to 1977.
In 2011, Goucher College awarded Solomon an honorary degree.
In 1968 Solomon's volunteer work with the Experiment in International Living brought her to Japan where she stayed with a family near Tokyo.
There, at age 38, Solomon began to use an instamatic camera to communicate her feelings and thoughts. This was the starting point for her photography practice, which also includes prose related to her life experiences.
Upon her return to the United States, Solomon photographed regularly. She purchased a Nikkormat in 1969 and in the garden shed she processed 35mm black and white film and printed her first pictures. In 1971, she began intermittent studies with Lisette Model during visits to New York City.
By 1974 she was using a medium format camera. Dolls, children, and manikins were some of her first subjects, along with portraits and rituals. She works with black-and-white film exclusively.
In 1975, Solomon began photographing at the Baroness Erlanger Hospital in Chattanooga, Tennessee. She photographed people recovering from operations, wounds, and illness.
In early 1977, Solomon photographed William Eggleston, his family and friends in Tennessee and Mississippi. Solomon moved to Washington where she photographed artists and politicians for the series "Outside the White House" in 1977 and 1978.
In 1978 and 1979, she also photographed in the highlands of Guatemala. Her interest in how people cope with adversity, led her to witness a shaman’s rites and a funeral and made photographs in Easter processions.
Solomon was awarded a Guggenheim Fellowship in 1979, a National Endowment for the Arts fellowship for 1989, and grants from the American Institute of Indian Studies in the 1980s.
In 1980, Solomon began her work in Ancash, Peru where she returned intermittently for over 20 years. She made photographs in cemeteries where the damage of a 1970 earthquake was still apparent.
She continued photographing shamans, cemeteries, funerals and other rituals. She also photographed people of a subsistence economy surviving the extremes of life through Catholic, evangelist, and indigenous rites.
With a fellowship from the American Institute of Indian Studies, in 1981 Solomon began photographing festival rites in India. She found an expression of female energy and power in the forms of the goddess figures created in the sculptors’ communities of Kolkata (Calcutta).
In 1982 and 1983, she continued this work. While there, she photographed artists, including the painter, Ganesh Pyne and the filmmaker, Satyagit Ray. She also made portraits of the Dalai Lama and photographed Prime Minister Indira Gandhi.
In 1987 and 1988, Solomon photographed people with AIDS alone and with their families and lovers. The project resulted in the exhibition, Portraits in the Time of AIDS at the Grey Gallery of Art of New York University in 1988.
In 1988, with concerns about the rise of ethnic violence in the world, she made her first trip to Poland. In 2003, she returned to work again in Poland. In 1988 Solomon’s interest in race relations and ethnic violence, took her to Northern Ireland, Zimbabwe and South Africa.
She continued the project in 1989 and 1990 in Northern Ireland and South Africa. In the nineties, she visited hospitals in Yugoslavia and rehabilitation centers for victims of mines in Cambodia, and photographed victims of the American/Vietnam War near Hanoi.
Solomon photographed in Israel and the West Bank for five months during 2010 and 2011, part of This Place, produced by Frédéric Brenner. She made portraits of people in Israel and the West Bank.
She was photographing Palestinians in Jenin, and happened to be only a few minutes away when Israeli-Palestinian actor and director of the Freedom Theater, Juliano Mer Khamis, was gunned down in April 2011.
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